MTRR - MIRD
Gregory Michael Carter is a Houston born artist and community activist. He lives and works in Houston’s Third Ward, which was recently declared a historic district. He attended Morehouse College, in Atlanta, Georgia and studied Fine Art, Art History, and Computer Science. Gregory is fascinated by culture, as well as history. Those tenets are two of driving factors in his practice. After leaving Morehouse he traveled to 30 countries, and visited more than 50 UNESCO world heritage sites in an attempt to immerse himself into the other cultures of the world for as long as possible.
Gregory is an interdisciplinary artist working primarily with drawing, printmaking, painting, collage, and photography. The community activism/social practice aspect of his practice has held many forms over the years, but most recently it has manifested itself in the form of an arts nonprofit he’s developing called The Milburn Institute for Research and Development. Gregory is also the Co-founder and art director of Thirdwardsfinest.com, an online retailer dedicated to supporting and uplifting Third Ward. The brand donates half of its revenue to local nonprofits like Project Row Houses, Shape Community Center, and others.
i am accused of tending to the past
as if i made it,
as if i sculpted it
with my own hands. i did not.
-Lucile Clifton
In trying to learn to understand my own time, I have become emerged in the years piled up behind me. The result/response has been a grand interrogation into history, culture, philosophy, psychology, and the human response to war. My practice is fueled by this ongoing search for understanding. I live in a hostile society, where tragedy is considered an inevitability. I live in a society where I am constantly under attack, where the silent majority wishes to destroy me, disenfranchise me, but most importantly to erase my memory from history. This series of works is based on the concept of black relics. These works represent opposition to that notion. These works are modern relics, on stone, papyrus, silk, basketball flooring and Newport Carton boxes. They tell a true history of my family, my community, and my culture in a land controlled by my oppressor. These works could be compared directly to hieroglyphs, or the coded quilts that doubled as maps, slaves used to escape plantations, in order to gain their freedom. I am an interdisciplinary artist born in Houston, Texas working primarily in drawing, painting, collage, and photography.